• WORKS
• HEADS
• BODIES IN TRANSITION
• SEMIOTICS OF AN IMAGE
• KINESIS | GLITCH
• HORIZONTAL
• SWAYING
• LEVEL
• THE APPROPRIATE BODY
• SCREEN
• NO FEAR EVERY BODY
• WE HAVE A BODY
• TERRITORY
• DYNAMICS
• AFTERIMAGE / PROTEST
• TOUCHING THE IMAGES
• FACES
• FACIAL EMOTIONS ONE TO SIX AND A TO F
• SEA PIECES I-IV
• DRAMATISCHE FUNDE
• SUN LAND DIAGONAL
• EYEWITNESS
• FOTOEMULSION
• AN INTERVIEW WITH H.R.H THE PRINCE
• KAMPUSCH
• HOLE
• ENTFÜHRUNG
• IRAK ABUSE.JPEG
• LYNNDIE ENGLAND I–III

• PUBLICATIONS
• VIDEO AS SCULPTUR
• MOVING STILL

• conversation pieces
• HEADS
• BODIES IN TRANSITION
• KINESIS|GLITCH MUSCLES SCULPTURAL NOSE RESILIENCE
• SEMIOTICS OF AN IMAGE
• SWAYING
• LEVEL
• HORIZONTAL
• THE APPROPRIATE BODY
• RE-LIVING AFTER THE IMAGE

• EXHIBITIONS
• archive
• NO FEAR VERY BODY

• INFOS
• about
• contact
• short bio
• press

• VIDEO PERFORMANCES
• resilience
• muscles
• sculptural nose

• TEACHING
• THE BODY IMAGE
• AS HUMAN IMAGE
• FIRST REVOLUTION
• FACES
• POWER OF FORM

IRAK ABUSE.JPEG

C–Print, 200 × 120 cm, 2006